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George Gower's Portrait of William Arundell hanging in a stone church interior

The Evening Standard Review

by Melanie McDonagh
George Gower, Portrait of William Arundell. Photographed by Simon Bevan
Philip Mould & Company are delighted to share with you Melanie McDonagh’s review of Love’s Labour’s Found for the Evening Standard. Melanie visited the gallery ahead of the exhibitions official opening to see the works in the ‘flesh’. In her review, Melanie discusses the exhibition highlights including the newly ‘discovered’ Henri III by miniaturist Jean Decourt, the radical evolution of painterly styles in the Jacobean and Elizabethan era and how modern technology has enabled today’s scholarly research to flourish. Click here to read her article.
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Philip Mould & Company are delighted to share with you Melanie McDonagh’s review of Love’s Labour’s Found for the Evening Standard. Melanie visited the gallery ahead of the exhibitions official opening to see the works in the ‘flesh’. In her review, Melanie discusses the exhibition highlights including the newly ‘discovered’ Henri III by miniaturist Jean Decourt, the radical evolution of painterly styles in the Jacobean and Elizabethan era and how modern technology has enabled today’s scholarly research to flourish. Click here to read her article. 

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