Scroll down
30 June - 6 July 2022

Masterpiece 2022

Masterpiece 

30 June – 6 July 2022

 

Philip Mould & Company will be returning to Masterpiece Art Fair this summer where we will showcase a selection of Modern British, Tudor and Portrait Miniature artworks for their first in-person fair since 2019.  

The gallery stand this year has been designed by eminent interior designer Sims Hilditch.  

 

Visit us at stand 413 from 30 June - 6 July. 

 

Opening Times: 

Preview Day (by invitation only)

29 July 2022, 11:00 - 21:00

 

Public Days: 

30 June 2022, 11:00 - 21:00

1 July 2022, 11:00 - 19:00

2 July2022, 11:00 - 19:00

3 July2022, 11:00 - 19:00

4 July 2022, 11:00 - 21:00

5 July 2022, 11:00 - 21:00

6 July 2022, 11:00 - 21:00 

 

Sign up for Masterpiece tickets here and recieve the latest Masterpiece news by enquiring below.

 

Enquire

Gerald Leslie Brockhurst

(1890-1978)

The War Widow

Oil on gessoed cradled hardwood panel
18 x 13 ¾ in. (45.7 x 34.9 cm)
Open artwork and enquire
Enquire

Ambrose McEvoy ARA

(1875-1927)

Vicomtesse Phyllis de Janzé (née Boyd) (1894-1943)

Oil on canvas
57 ½ x 45 ¼ in. (146 x 115 cm)
Open artwork and enquire
Enquire

Nelson Shanks

1937-2015

Diana, Princess of Wales (1961-1997)

Oil on canvas
18 x 14 in. (45.7 x 35.6 cm)
Sold

Duncan Grant

(1885-1978)

Portrait of Peter Morris Seated in a Wing Chair

Oil on canvas
30 x 20 in. (76.2 x 50.8 cm)
Open artwork and enquire
Enquire

Duncan Grant

1885-1978

Portrait of Edward Wolfe

Oil on board
28 x 20 in. (71.1 x 50.8 cm)
Open artwork and enquire
Enquire

English School

Portrait of a Lady

Oil on panel
36 x 28 in. (91.4 x 71.1 cm)
Open artwork and enquire
Enquire

Nicholas Hilliard

(1547-1619)

A Gentleman, possibly Sir Robert Dudley (1574-1649) in profile, wearing Greenwich ‘white and gilt’ armour with lawn collar, red velvet curtain background, gold border

Watercolour and shell gold, on vellum laid down on a playing card (three of spades) in a 17th century gold and enamelled locket, the blue enamel panels incorporating the Tudor Rose (obverse and reverse), the border and crested surmount decorated with white and black enamel, hanging pearl, possibly from the workshop of Nicholas Hilliard
Oval, 1 ⅞ in. (48 mm) high
Sold

Duncan Grant

1885-1978

A view in Lucca

Oil on paper on canvas
48 1/4 x 36 1/8 in (122.4 x 91.8 cm)
Open artwork and enquire
Enquire

Augustus Edwin John

(1878-1961)

The Mawddach Estuary

Oil on panel
12 x 16 in. (30.5 x 40.7 cm)
Sold

Duncan Grant

1885-1978

View Between Pillars, Asolo, Italy

Oil on paper laid on board
24 ¼ x 19 ¼ in. (61.5 x 49 cm)
Sold

Cedric Morris

(1889-1982)

Gurnard’s Head, Cornwall

Oil on canvas
24 3/8 x 27 3/8 in. (62 x 69.5 cm)
Sold

Duncan Grant

(1885-1978)

The Barn, Charleston

Oil on canvas
22 x 22 7/8 in. (55.8 x 58.2 cm)
Sold

Roger Fry

(1866-1934)

Moulin de la Lubiane, Vence

Oil on canvas
25 x 31 ½ in. (63.5 x 80 cm)
Sold

Duncan Grant

(1885-1978)

Cornish Cottages

Oil on canvas
18 1/8 x 24 5/8 in. (45.8 x 62.5 cm)
Sold

Cedric Morris

(1889-1982)

May Flowering Irises No. 2

Oil on canvas
25 ¾ x 21 ¼ in. (65 x 54 cm)
Sold

Duncan Grant

(1885-1978)

The Pond in the Winter at Charleston

Oil on canvas-board
16 ¼ x 20 ¼ in. (41.2 x 51.4 cm)
Sold

Vanessa Bell

(1879-1961)

Still-life of Dahlias, Chrysanthemums and Begonias

Oil on board laid on panel
28 ¾ x 20 3/8 in (73 x 51.7 cm)
Open artwork and enquire
Enquire

Cedric Morris

(1889-1982)

Summer Garden Flowers

Oil on canvas
28 3/4 x 24 1/8 in. (73 x 61 cm)
Open artwork and enquire
Enquire

Jessica Dismorr

(1885-1939)

Catherine Dawson Giles

Oil and crayon on board
24 1/2 x 18 1/2 in. (62.2 x 47 cm.)
Open artwork and enquire
Enquire

Duncan Grant

(1885-1978)

Kneeling Female Nude

Oil on canvas
28 3/4 x 19 7/8 in. (73 x 50.5 cm)
Sold

Sir William Nicholson

(1872-1949)

The Cat

Oil on canvas
16 x 12 in. (40.5 x 30.4 cm)
Open artwork and enquire
Enquire

Gerald Leslie Brockhurst

(1890-1978)

Anaïs with Hair Down

Watercolour and ink on paper
21 x 14 1/2 in. (53.3 x 36.8 cm)
Open artwork and enquire
Enquire

Augustus Edwin John

(1878 - 1961)

Iris Tree

Pencil on paper
13 1/4 x 9 5/8 in. (33.5 x 24.5 cm)
Open artwork and enquire
Enquire

English School

Portrait of an Explorer, probably Sir Robert Dudley (1574-1649)

Oil on paper laid on canvas
16 1/2 by 11 3/8 in. (42 x 29 cm)
Sold

Duncan Grant

(1885-1978)

The Barn at Charleston

Oil on board
21 1/4 x 28 in. (54 x 71 cm)
Open artwork and enquire
Enquire

Gerald Leslie Brockhurst

(1890-1978)

Dorinda

Red chalk on paper
13 ¾ x 10 in. (34.9 x 27.6 cm)
Open artwork and enquire
Enquire

Vanessa Bell

(1879-1961)

The Granary, Charleston

Oil on board
19 7/8 x 15 7/8 in. (50.5 x 40.5 cm)
Open artwork and enquire
Enquire

Harold Harvey

(1874-1941)

Kitty

Oil on canvas
23 3/8 x 17 1/2 in. (59.3 x 44.6 cm)
Sold

Cedric Morris

(1889-1982)

Natura Morta

Oil on canvas
24 x 20 1/16 in. (61 x 51 cm)
Open artwork and enquire
Enquire

Roger Fry

(1866-1934)

Pamela Fry at Charleston

Oil on canvas
18 ¾ x 18 ⅓ in. (47.5 x 46.5 cm)
Open artwork and enquire
Enquire

Domenico Dupra

(1689-1770)

Prince Charles Edward Stuart (‘the Young Pretender’) (1720-1788)

Oil on canvas, In a mid-18th century carved French frame
Oval, 32 ¼ x 26 in. (82 x 66cm) high
Sold

John Smart

(1741-1811)

Ann Chase (née Rand) (1759-1837), wearing pale pink dress, frilled lace collar and pale pink ribbons, her hair powdered

Watercolour on ivory in original gold ‘Colonial’ frame, with engraved border, the reverse with glazed aperture to reveal gold initials ‘AC’
Oval, 2 ½ in. (65 mm) high
Open artwork and enquire
Enquire

French School

The artist Claude Lefebvre (1632–1675), wearing black robes and white lace jabot

Watercolour and bodycolour on vellum in later gilded metal frame
Oval, 2 ⅞ in. (60 mm) high
Sold

Ozias Humphry

(1742-1810)

The Sahibzada, Vizir Ali Khan, later Nawab Wazir Of Oudh (1780-1817), wearing orange and white robe, blue nawabi turban, seated cross-legged on a gold and purple striped cushion; marble column background

Watercolour on ivory
Oval, 3 ½ in. (88 mm) high
Open artwork and enquire
Enquire

Alexander Cooper

(1609-c.1660)

A young Nobleman, probably Philip Herbert, 5th Earl of Pembroke (1621-1669), wearing green doublet and falling lace collar with tassels, his auburn hair worn long, wet-in-wet red curtain background

Watercolour and bodycolour on vellum, mounted on card in later gilt-metal frame
Oval, 2 in. (52 mm) high
Open artwork and enquire
Enquire

Attributed to Sir James Palmer

1584-1657

A Gentleman, said to be a member of the ‘Dorset’ family, wearing white falling ruff trimmed with lace and black, embroidered doublet

Watercolour, bodycolour and gold on vellum in later gilded metal frame
Oval, 1 ⅞ in. (47 mm) high
£ 6,500
Open artwork and enquire
Enquire

Richard Gibson

(1615-1690)

A Gentleman, wearing brown silk doublet with slashed sleeves and blue cloak, white lace jabot

Watercolour on vellum, in later gold frame, the pierced silver border set with paste and with ribbon surmount
Oval, 3 in. (80 mm) high
Sold

Sarah Biffin

(1784-1850)

Self-portrait

Watercolour and gouache on paper
Rectangular, 10 3/8 in. (263 mm) high
Open artwork and enquire
Enquire

Sarah Biffin

(1784-1850)

A Study of Feathers

Pencil and watercolour on paper
7 ½ x 8 ¼ in. (19 x 21 cm)
Open artwork and enquire
Enquire

John Smart

(1741-1811)

Alexander J. Dallas (1759-1817), wearing coat, white knotted cravat, hair worn en queue

Pencil and watercolour on card, inscribed in pen verso, 'Mr Dallas of Jamaica' in later gold frame
Oval, 2 in. (53 mm) high
Open artwork and enquire
Enquire

Veronica Stern Telli

(1717-1801)

A Personification of Spring

Watercolour on ivory in later gold frame with engraved border and blue glass reverse
Oval, 2 ⅞ in. (70 mm) high
Sold

John Smart

(1741-1811)

Mrs. Parker of Bath, wearing white muslin dress and two bows of white silk ribbon in her powdered hair

Watercolour on paper in later gold frame with border of split pearls
Oval, 3 ½ in. (90 mm) high
Open artwork and enquire
Enquire

Dutch School

17th Century

A young Gentleman of the Blount family, wearing lace jabot over black doublet, his hair worn long

Oil on copper set in later heart-shaped silver-gilt frame
Heart-shaped, 1 ½ in. (32 mm.) high
Sold
Further Reading

London Art Week 2023

Read more
Further Reading

"WITHOUT HANDS": The Art of Sarah Biffin

Philip Mould & Company are pleased to present 'Without Hands', on the life and art of the remarkable...
Read more
Further Reading

London Art Week

A Speaking Likeness: Highlights of British Portraiture
Read more
Previous
Next
+44 (0)20 7499 6818 art@philipmould.com

To receive information about the works from this exhibition, please submit your enquiry below and we will be in touch.

We will process the personal data you have supplied in accordance with our privacy policy. You can unsubscribe or change your preferences at any time by clicking the link in any emails.
    Close

    Basket

    No items found
    Close

    Your saved list

    This list allows you to enquire about a group of works.
    No items found
    Close
    Mailing list signup

    Get exclusive updates from Philip Mould Gallery

    Close

    Sign up for updates

    Make an Enquiry

    Receive newsletters
    Send enquiry

    In order to respond to your enquiry, we will process the personal data you have supplied in accordance with our privacy policy. You can unsubscribe or change your preferences at any time by clicking the link in any emails.

    Close
    Search
    Close
    Close
    Close
    500 Years of British Art